Monday, August 12, 2024

DY24014 - The Birmingham Jewellery Quarter 1987 V01 130824

The Jewellery Quarter, Birmingham, United Kingdom 

Click on the link below to view an old  History Tourist Guide for the Jewellery Quarter, Birmingham, United Kingdom. (circa 1987)

https://drive.google.com/file/d/1p-JIT3WoJF5Z3xiaTvDvFNjuw0sQg6IH/view?usp=sharing

 

I have always been an enthusiast for the locally created history tourist guide especially when its A5 (148 x 210mm) size and less than 50 printed pages preferably folded and stapled. A fast read and a concise summary of a historic location ideally with adverts included relevant to the time of publication. Yes, it is 37 years old published in 1987, but in those days, before the web and social media destroyed historic narrative, a lot of effort and research went into creating these type of guides.

For example no social media post is going to dedicate this much narrative to John Baskerville (Page 20/21) the famous 18th Century printer and typographer best known for designing the Baskerville Typeface in 1757.

Here is a bit of his Baskerville typeface.

 

JOHN BASKERVILLE -

(The Birmingham Printer)

We tend to take the print in booklets like this for granted and forget that somewhere, sometime, someone needed to design the letters we read. One of the most famous men to design letters is buried here in the Jewellery Quarter. That man is John Baskerville, the Birmingham Printer, he was born at Sion House, Wolverley, Nr Kidderminster in 1706. Little is known of his early life except that he worked as a footman for the Rectory at Kings Norton where he developed his interest in Calligraphy and taught writing. This love for writing led him to set up a writing school near the Bull Ring, where at the same time he engraved tombstones to earn a little extra money.

Japanning items made from hard black gloss, was becoming fashionable in England at that time, where they were introduced from France. Baskerville saw his chance and set up a factory in Moor Street. The trinkets and knick-knacks he produced made him a fortune which enabled him in 1747 to lease a piece of land, which he gave the name 'Easy Hill'. Baskerville House now stands on this land in Broad Street.

While his wife managed the Japanning business, he devoted his time to designing a type for printing, which took years to draw and cut by hand. The first book in this type was the poems of Virgil in 1757. The next year, the University of Cambridge made John their printer, where he produced some of the finest bibles.

On January 8th 1775, John Baskerville died, and in keeping with his wishes, he was buried in the grounds of his house in a conical shaped building which had formerly been a windmill. This had been repaired by Baskerville in his lifetime, so that he could be placed in the vault beneath it on his death. The old windmill was demolished and the body beneath forgotten, until discovered in December 1820.

In May 1821, because of the need to extend the wharf, the coffin was removed to Gibsons Warehouse in Cambridge Street, where it was opened and the body brought to view. It was reported to be in a 'singular state of preservation' considering it had been underground for about 46 years! The remains were later removed to the shop of Job Marston, a plumber and glazier whose shop stood where the present day entrance to Snow Hill Station is, in 1829, and again exposed where Marston is reported to have charged one shilling a time to view.

It became obvious that the coffin and remains were becoming an embarrassment but here the story takes on an air of mystery and it was another fifty years before the truth of his re-internment came to light and that his remains were in Vault No. 521 in Christchurch Catacombs. Once again he was brought to view in 1893 when the coffin was again opened.

In view of John Baskerville's flamboyancy while living, one would think that he would find all this controversy highly entertaining and it was not to end there, because when the church was demolished, he was again on the move. This time to his present resting place in the Catacombs in Warstone Lane Cemetery where he was placed on 26th February 1868, but his real epitaph is in the letters that he designed so long ago and which are still used in many books today.

The End

Show me a social media post that would include that amount of detail without the community complaining it conveyed the wrong “vibe” for the site. It doesn’t fit the Facebook, Instagram, WhatsApp, Twitter (X), LinkedIn, YouTube or TikToc community but it does fit Blogspot and the blogging vibe. So although it fits Blogspot nobody reads blogs any more other than you now this minute reading this one because I dragged you her under false pretences. The vibe of a social media platform can vary greatly depending on its community, content, and purpose. See below the description of the vibes of different social media platforms:

Twitter: Fast-paced, conversational, opinionated, news-driven, reactive        

 Instagram: Visual, aspirational, curated, trendy, aesthetic.

 TikTok: Energetic, creative, playful, viral, informal.

LinkedIn: Professional, networking-focused, aspirational, business -     oriented,  motivational.

WhatsApp: Instant,energetic, reactive, message orientated

Facebook: Social, connected, communal, nostalgic, multifaceted.

YouTube: Informative, entertaining, diverse, educational, creator-focused.

Blogspot: Topical, educational, long narratives, story like, takes time to read the content, not so rushed, thought provoking content

 

But none of this social media posting achieves what reading a structure document achieves be it on paper or digitally like PDF or Kindle in a booklet format. Read the linked to The Jewellery Quarter booklet on here and I am sure you will agree. It terms of the experience and the knowledge transfer and memorability nothing beats a structure document rather than a post. By a structured document I mean its got book like design and content but digitally delivered. 
    
Changing Track.   

Changing track like you can do in a blog. The Jewellery Quarter holds a special place in that both myself and girlfriend (appreciate it sounds dated but that was the terminology of the 1960’s) made a special trip there for me to purchase our Engagement Ring for our engagement on my 21st Birthday in April 1969 leading to our marriage on Battle of Britain day, a Monday, on the 15th September 1969. It cost £20 with a tiny sapphire stone surrounded by even smaller diamonds.   I was a student. The Jewellery Quarter at the time, the 1960’s, was not a tourist attraction but a busy industrial network manufacturing and selling jewellery in what looked like a domestic setting of normal housing but undergoing a major transformation. If you lived in the Birmingham or the Midlands it was where you went to buy jewellery at wholesale rather than retail prices but knowing it was a very legislated environment administered by the Birmingham Assay Office with its local hallmarking services. But always carry a powerful magnifying glass when buying jewellery or a smartphone does the same these days. 

Photo of our Engagement Ring




Afterword.

It would be interesting to see a photo taken now (2024) of the Hairdressers assembled in their 1987 photo on page 36. I bet their hair remains perfectly styled and in excellent condition being a members of “The Ultimate Hair Design Team.” 

Thursday, August 1, 2024

DY24013 Avro Aircraft Company (Manchester) V01 010824

I always get great satisfaction out of seeing someone who has made the effort to publish a local history book in their spare time and at home. Part of the so called Indie Publishing movement which started in the United States in the 1980s with the advent of desktop publishing software packages. Indie being the mnemonic for independent. Although I personally would have liked it to be just called simply Independent Publishing.  This satisfaction of mine increases when it is on one of my favourite subjects being published like aviation. So back in 1993 Neil Richardson must have been motivated to make this effort. He did an excellent job. Just so sad to now see it discarded in a pile of books in a local Charity Shop. I wonder if Neil is still with us and what else he went on to publish. It is over 30 years ago. Also sadly Avro is no longer an aircraft company being one part of the dismantling of the British Aircraft Industry which once lead the world in aviation. It takes you back to the days when around the United Kingdom different cities or towns had their own local aircraft manufacturing factory with considerable rivalry between them. In Manchester's case it was Avro.   

Avro manufactured a variety of aircraft which occupied my youth when I went plane spotting.

Avro Anson

Avro Lancaster

Avro 707

Avro 748

Avro Vulcan

Link to The Story of Manchester's Aircraft Industry (Avro) Booklet.

The Story of Manchester's Aircraft Industry (Avro)


                                                                    Avro Vulcan

DY24014 - The Birmingham Jewellery Quarter 1987 V01 130824

The Jewellery Quarter, Birmingham, United Kingdom   Click on the link below to view an old  History Tourist Guide for the Jewellery Quarte...